Now, when I see a angel food cake, I can get right to the point and say, "Damn, I'd love to strawberry that." Or if I slide into home plate and end up rubbing away a big chunk of skin and have a red mark, I can say, "Woh, I really got strawberried." Finally, when I see a huge mound of cocaine and I just used my neti pot, I will certainly say, "I can't wait to strawberry that blow."

We've all got to work together to shake what I have aptly named 'Kurt Cobain Syndrome'. I use him only becuase he is the most recent artist in our collective conscious who was severly depressed but also brilliant. History is littered with them.

There are, however, a great number of artists out there who, while always teetering on a delicate edge of sanity and some dark, vast expanse of bedlam, are well-adjusted and continue to produce solid, heartfelt, storied work. I happen to feel the Ben is one of them

I love 'Silverman' and while artistic appreciation is a completely subjective study, I stand up in Ben's defense (and any artist for that matter) whenever people view his most recent material solely through the prism of his prior work. Of course it's a trap that we're all prone to step into now and again, but being an artist myself I'm intimately familiar with the err of such a practice.

First, if Ben had put out an album that sounded just like 'Whatever' or 'Mesner' or self-titled, he would get criticized for trying to capitalize on past successes instead of maturing as an artist. Damned if you do, damned if you don't.

Beyond that, and much more important, however, is a point that Ben himself succinctly outlined on the DVD of the making of 'Silverman'. He said (I'm paraphrasing) "People think that when you go to make an album you say to yourself 'Well I'm going to make my trippy concept album', or 'I'm going to make my angsty teen heartache album'...and it's just not like that."

Ben, like all artists, is on his own personal journey and is fortunate enough to be able to chronicle said journey through hauntingly gorgeous melody. He's even more fortunate to have found a large group of people who want to hear that chronicle because they think that every step of the journey is relevent. (I might even go a step further here and say he's damn lucky to have found a woman that loves him and to have two beautiful children but I'm sure both he and you are aware of how big a blessing that is.)

My overarching point here is that artists who are crippled with agony and existentialist ennui are not the only ones capable of producing quality, relevent art. Just because his delivery and asthetic have changed does not mean that he is not every bit as important an artist as he was when he was slamming out 'Jackson Cannery', 'Uncle Walter', 'Sports & Wine', or 'Redneck Past'.

Of course I know that everyone is entitled to thier own opinion of the album itself. I do not intentd to argue taste here. I respect anyone who does not like the record provided the reasoning behind the criticism is balanced and legitimate. I found your basic premise flawed and therefore recommend you go back and listen to 'Silverman' again. Listen to it a several times. It really is a breathtakingly beautiful album. It is Ben in rare form and he's sharing more of himself than ever before. And, yes, he has grown up a little. It happens to the best of us.

Thanks for letting rant. Now, can you help me off this soapbox?

Ben Fan